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<div class="event-detail" data-event-id="316956" data-occurrence-id="1623844">
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      <div class="calendar-placeholder"><div class="calendar-placeholder-icon"><span class="calendar-placeholder-month">Nov</span><span class="calendar-placeholder-day">18</span></div></div>
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        <h2 class="event-info event-title heading-tertiary"><a href="https://jamaaladeenmusic.com/event/316956/1623844/zwei">Zwei </a></h2>

        <p class="event-info event-datetime">
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          <span class="date-long"><span class="event-when with-time"><time class="from"><span class="date">Friday, November 18, 2011</span> @ <span class="time">8:00PM</span></time></span></span><span class="date-short"><span class="event-when with-time"><time class="from"><span class="date">Fri, Nov 18, 2011</span> @ <span class="time">8:00PM</span></time></span></span>
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          <span>Jazzmeile Thüringen, Jena</span>
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      <span class="event-info age-limit">Age limit: All ages</span>
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        <span data-share-dialog-target="title">Zwei  @ Jazzmeile Thüringen on Nov 18, 8:00PM</span>
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<div class="event-detail" data-event-id="316957" data-occurrence-id="1623845">
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      <div class="calendar-placeholder"><div class="calendar-placeholder-icon"><span class="calendar-placeholder-month">Nov</span><span class="calendar-placeholder-day">17</span></div></div>
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  <div class="event-description">
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        <h2 class="event-info event-title heading-tertiary"><a href="https://jamaaladeenmusic.com/event/316957/1623845/zwei">Zwei </a></h2>

        <p class="event-info event-datetime">
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          <span class="date-long"><span class="event-when with-time"><time class="from"><span class="date">Thursday, November 17, 2011</span> @ <span class="time">8:00PM</span></time></span></span><span class="date-short"><span class="event-when with-time"><time class="from"><span class="date">Thu, Nov 17, 2011</span> @ <span class="time">8:00PM</span></time></span></span>
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        <p class="event-info event-location">
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          <span>Jazztime, Prague</span>
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      <div class="event-info event-notes"><p><br></p>
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      <span class="event-info age-limit">Age limit: All ages</span>
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<div class="event-detail" data-event-id="316958" data-occurrence-id="1623846">
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      <div class="calendar-placeholder"><div class="calendar-placeholder-icon"><span class="calendar-placeholder-month">Nov</span><span class="calendar-placeholder-day">15</span></div></div>
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        <h2 class="event-info event-title heading-tertiary"><a href="https://jamaaladeenmusic.com/event/316958/1623846/zwei">Zwei</a></h2>

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          <span class="date-long"><span class="event-when with-time"><time class="from"><span class="date">Tuesday, November 15, 2011</span> @ <span class="time">8:00PM</span></time></span></span><span class="date-short"><span class="event-when with-time"><time class="from"><span class="date">Tue, Nov 15, 2011</span> @ <span class="time">8:00PM</span></time></span></span>
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<div class="event-detail" data-event-id="316959" data-occurrence-id="1623847">
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      <div class="calendar-placeholder"><div class="calendar-placeholder-icon"><span class="calendar-placeholder-month">Nov</span><span class="calendar-placeholder-day">14</span></div></div>
  </div>

  <div class="event-description">
    <div class="event-info-wrapper">
        <h2 class="event-info event-title heading-tertiary"><a href="https://jamaaladeenmusic.com/event/316959/1623847/bbt-new-language-joe-bowie-jean-paul-bourelly-jamaaladeen-tacuma">BBT New language Joe Bowie, Jean Paul Bourelly, Jamaaladeen Tacuma</a></h2>

        <p class="event-info event-datetime">
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          <span class="date-long"><span class="event-when with-time"><time class="from"><span class="date">Monday, November 14, 2011</span> @ <span class="time">7:00PM</span></time></span></span><span class="date-short"><span class="event-when with-time"><time class="from"><span class="date">Mon, Nov 14, 2011</span> @ <span class="time">7:00PM</span></time></span></span>
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          <span>Strasbourg</span>
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      <div class="event-info event-notes"><p><img width="300" height="223" alt="" src="http://content.bandzoogle.com/users/JamaaladeenTacuma/images/content/bbt_flyer-403x300-300.jpg">“BBT-NEW LANGUAGE”<br>
Jean-Paul Bourelly, Joseph Bowie &amp; Jamaaladeen Tacuma</p>

<p>Throughout history music promoters, record companies &amp; agents have resisted change!!...In Dixieland Jazz... this music was called "Jack Ass" (JASS) music when it was first formulated then changed to Jazz...Dizzy &amp; Bird were under severe scrutiny in the beginning age of Bebop.... Coltrane was criticized in his latter years for evolving into spiritual concepts of music.  Miles Davis was crucified for moving in directions of rock/funk as he shaped fusion music...Ornette Coleman and Don Cherry were ridiculed in the 50s...Chuck Berry, “Scat Man” Crothers, Elvis Presley &amp; Buddy Holly were called Satanists as they shaped the beginnings of Rock &amp; Roll... on Defunkt 's debut tour in Europe in 1978, opening the Wiesen Jazz Festival, we were “boo-ed” after our festival opening performance. The visionary Austrian promoter Fritz Thom, then paid us twice to also close the festival:-)</p>

<p>Are there similarities in these situations?  Artists have creative vision beyond the promoters, agents &amp; audience. Artists are motivated by creativity and development not swayed and influenced by temporary financial gain. Over thousands of years of existence and evolution on earth, Humans have instituted controls to limit the rate and nature of musical language development. Why? Consciousness leads to awareness!  An emphasis on repetition and re-gurgitation of ‘genres/musical styles’ have effectively distorted our perception and curtailed the vast potential of our minds, bodies and souls. The manner, sound and the role that instruments play as a result have remained the same for hundreds, even thousands of years, allowing progress to be gained very slowly, maintaining maximum control, allowing full commercial exploitation thereby minimizing awareness and discovery.  Experiments with sound have been allowed to function in isolated situations, out of reach and perception range of the population, who are masterfully controlled by multi-sensory distractions such as TV, computers, mobile phones, a bombardment of advertisement, mind numbing food additives and drugs, (illegal and legal) designed to create distorted reality. This has altered perception and the understanding of life style. We have been programmed to a delusional state, deprived of self-knowledge and the innate power accessible in our genetic code.</p>

<p>We must challenge our awareness and perception through vibrations that we understand as Music! Life is in constant evolution around us.  Can we acknowledge the deep genetic voices in our sub-conscious; there to help us develop ourselves, tuning us in with life and helping us navigate a new multi-dimensional terrain? Yes! A new sonic language is imminent. Look around our planet at the popular uprisings occurring, in full swing with the "information age".  It is obvious that there is an opening underway. A “NEW (sound) LANGUAGE” is imminent! Not acoustic, not electric, not primitive, not futuristic but a merging of all these dimensions to speak to NOW. Life is a product of genetic evolution and alteration. Experiments have occurred over thousands of years, when traveling life forms in the universe merged with native life on earth.</p>

<p>This is a process of natural evolution throughout the galaxy.  We are space travelers!!  Our ship is the earth itself, traveling through the galaxy, orbiting the Sun!  Embrace the future and evolution of sound and multi-dimensional realization. Understand the little known and least understood essence of life.</p>

<p>BB&amp;T “New Language” present a new concept of sonic media, offering a new, unique approach to improvised music… a counter narrative to the huge body of “sameness” that is engulfing humanity. The existential creative process, fostered by necessity, is the passion fueling this group.</p>

<p>There is a necessity to speak to the times, service mankind, unlock the shackles of mental and spiritual bondage and weigh in on the side of humanity, expressing the shift, the changing of the global script. The situation is new and particular.  WE focus on the awareness of sounds reacting to rhythm sculptured by BB&amp;T (3 formidable figures of multi-culture). This is what gives “New Language” special meaning.</p>

<p>BB&amp;T “New Language” offers a fresh concept in sonic adventure in improvisation and groove culture.</p>

<p>We are heading into a new sound cycle, resonating throughout the galaxy. Tune into the human frequency.</p>

<p>Tune into “New Language”.</p>
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      <div class="calendar-placeholder"><div class="calendar-placeholder-icon"><span class="calendar-placeholder-month">Nov</span><span class="calendar-placeholder-day">13</span></div></div>
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        <h2 class="event-info event-title heading-tertiary"><a href="https://jamaaladeenmusic.com/event/316960/1623848/bbt-new-language-joe-bowie-jean-paul-bourelly-jamaaladeen-tacuma">BBT New language Joe Bowie, Jean Paul Bourelly, Jamaaladeen Tacuma</a></h2>

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          <span class="date-long"><span class="event-when with-time"><time class="from"><span class="date">Sunday, November 13, 2011</span> @ <span class="time">7:00PM</span></time></span></span><span class="date-short"><span class="event-when with-time"><time class="from"><span class="date">Sun, Nov 13, 2011</span> @ <span class="time">7:00PM</span></time></span></span>
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          <span>Zurich</span>
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      <div class="event-info event-notes"><p><img width="300" height="223" alt="" src="http://content.bandzoogle.com/users/JamaaladeenTacuma/images/content/bbt_flyer-403x300-300.jpg"><br>
“BBT-NEW LANGUAGE”<br>
Jean-Paul Bourelly, Joseph Bowie &amp; Jamaaladeen Tacuma</p>

<p>Throughout history music promoters, record companies &amp; agents have resisted change!!...In Dixieland Jazz... this music was called "Jack Ass" (JASS) music when it was first formulated then changed to Jazz...Dizzy &amp; Bird were under severe scrutiny in the beginning age of Bebop.... Coltrane was criticized in his latter years for evolving into spiritual concepts of music.  Miles Davis was crucified for moving in directions of rock/funk as he shaped fusion music...Ornette Coleman and Don Cherry were ridiculed in the 50s...Chuck Berry, “Scat Man” Crothers, Elvis Presley &amp; Buddy Holly were called Satanists as they shaped the beginnings of Rock &amp; Roll... on Defunkt 's debut tour in Europe in 1978, opening the Wiesen Jazz Festival, we were “boo-ed” after our festival opening performance. The visionary Austrian promoter Fritz Thom, then paid us twice to also close the festival:-)</p>

<p>Are there similarities in these situations?  Artists have creative vision beyond the promoters, agents &amp; audience. Artists are motivated by creativity and development not swayed and influenced by temporary financial gain. Over thousands of years of existence and evolution on earth, Humans have instituted controls to limit the rate and nature of musical language development. Why? Consciousness leads to awareness!  An emphasis on repetition and re-gurgitation of ‘genres/musical styles’ have effectively distorted our perception and curtailed the vast potential of our minds, bodies and souls. The manner, sound and the role that instruments play as a result have remained the same for hundreds, even thousands of years, allowing progress to be gained very slowly, maintaining maximum control, allowing full commercial exploitation thereby minimizing awareness and discovery.  Experiments with sound have been allowed to function in isolated situations, out of reach and perception range of the population, who are masterfully controlled by multi-sensory distractions such as TV, computers, mobile phones, a bombardment of advertisement, mind numbing food additives and drugs, (illegal and legal) designed to create distorted reality. This has altered perception and the understanding of life style. We have been programmed to a delusional state, deprived of self-knowledge and the innate power accessible in our genetic code.</p>

<p>We must challenge our awareness and perception through vibrations that we understand as Music! Life is in constant evolution around us.  Can we acknowledge the deep genetic voices in our sub-conscious; there to help us develop ourselves, tuning us in with life and helping us navigate a new multi-dimensional terrain? Yes! A new sonic language is imminent. Look around our planet at the popular uprisings occurring, in full swing with the "information age".  It is obvious that there is an opening underway. A “NEW (sound) LANGUAGE” is imminent! Not acoustic, not electric, not primitive, not futuristic but a merging of all these dimensions to speak to NOW. Life is a product of genetic evolution and alteration. Experiments have occurred over thousands of years, when traveling life forms in the universe merged with native life on earth.</p>

<p>This is a process of natural evolution throughout the galaxy.  We are space travelers!!  Our ship is the earth itself, traveling through the galaxy, orbiting the Sun!  Embrace the future and evolution of sound and multi-dimensional realization. Understand the little known and least understood essence of life.</p>

<p>BB&amp;T “New Language” present a new concept of sonic media, offering a new, unique approach to improvised music… a counter narrative to the huge body of “sameness” that is engulfing humanity. The existential creative process, fostered by necessity, is the passion fueling this group.</p>

<p>There is a necessity to speak to the times, service mankind, unlock the shackles of mental and spiritual bondage and weigh in on the side of humanity, expressing the shift, the changing of the global script. The situation is new and particular.  WE focus on the awareness of sounds reacting to rhythm sculptured by BB&amp;T (3 formidable figures of multi-culture). This is what gives “New Language” special meaning.</p>

<p>BB&amp;T “New Language” offers a fresh concept in sonic adventure in improvisation and groove culture.</p>

<p>We are heading into a new sound cycle, resonating throughout the galaxy. Tune into the human frequency.</p>

<p>Tune into “New Language”.</p>
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      <div class="calendar-placeholder"><div class="calendar-placeholder-icon"><span class="calendar-placeholder-month">Nov</span><span class="calendar-placeholder-day">12</span></div></div>
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  <div class="event-description">
    <div class="event-info-wrapper">
        <h2 class="event-info event-title heading-tertiary"><a href="https://jamaaladeenmusic.com/event/316961/1623849/bbt-new-language-joe-bowie-jean-paul-bourelly-jamaaladeen-tacuma">BBT New language Joe Bowie, Jean Paul Bourelly, Jamaaladeen Tacuma</a></h2>

        <p class="event-info event-datetime">
          <i class="icon-clock"></i>
          <span class="date-long"><span class="event-when with-time"><time class="from"><span class="date">Saturday, November 12, 2011</span> @ <span class="time">7:00PM</span></time></span></span><span class="date-short"><span class="event-when with-time"><time class="from"><span class="date">Sat, Nov 12, 2011</span> @ <span class="time">7:00PM</span></time></span></span>
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        <p class="event-info event-location">
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          <span>Geneve CH</span>
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      <div class="event-info event-notes"><p>“BBT-NEW LANGUAGE”<br>
Jean-Paul Bourelly, Joseph Bowie &amp; Jamaaladeen Tacuma</p>

<p>Throughout history music promoters, record companies &amp; agents have resisted change!!...In Dixieland Jazz... this music was called "Jack Ass" (JASS) music when it was first formulated then changed to Jazz...Dizzy &amp; Bird were under severe scrutiny in the beginning age of Bebop.... Coltrane was criticized in his latter years for evolving into spiritual concepts of music.  Miles Davis was crucified for moving in directions of rock/funk as he shaped fusion music...Ornette Coleman and Don Cherry were ridiculed in the 50s...Chuck Berry, “Scat Man” Crothers, Elvis Presley &amp; Buddy Holly were called Satanists as they shaped the beginnings of Rock &amp; Roll... on Defunkt 's debut tour in Europe in 1978, opening the Wiesen Jazz Festival, we were “boo-ed” after our festival opening performance. The visionary Austrian promoter Fritz Thom, then paid us twice to also close the festival:-)</p>

<p>Are there similarities in these situations?  Artists have creative vision beyond the promoters, agents &amp; audience. Artists are motivated by creativity and development not swayed and influenced by temporary financial gain. Over thousands of years of existence and evolution on earth, Humans have instituted controls to limit the rate and nature of musical language development. Why? Consciousness leads to awareness!  An emphasis on repetition and re-gurgitation of ‘genres/musical styles’ have effectively distorted our perception and curtailed the vast potential of our minds, bodies and souls. The manner, sound and the role that instruments play as a result have remained the same for hundreds, even thousands of years, allowing progress to be gained very slowly, maintaining maximum control, allowing full commercial exploitation thereby minimizing awareness and discovery.  Experiments with sound have been allowed to function in isolated situations, out of reach and perception range of the population, who are masterfully controlled by multi-sensory distractions such as TV, computers, mobile phones, a bombardment of advertisement, mind numbing food additives and drugs, (illegal and legal) designed to create distorted reality. This has altered perception and the understanding of life style. We have been programmed to a delusional state, deprived of self-knowledge and the innate power accessible in our genetic code.</p>

<p>We must challenge our awareness and perception through vibrations that we understand as Music! Life is in constant evolution around us.  Can we acknowledge the deep genetic voices in our sub-conscious; there to help us develop ourselves, tuning us in with life and helping us navigate a new multi-dimensional terrain? Yes! A new sonic language is imminent. Look around our planet at the popular uprisings occurring, in full swing with the "information age".  It is obvious that there is an opening underway. A “NEW (sound) LANGUAGE” is imminent! Not acoustic, not electric, not primitive, not futuristic but a merging of all these dimensions to speak to NOW. Life is a product of genetic evolution and alteration. Experiments have occurred over thousands of years, when traveling life forms in the universe merged with native life on earth.</p>

<p>This is a process of natural evolution throughout the galaxy.  We are space travelers!!  Our ship is the earth itself, traveling through the galaxy, orbiting the Sun!  Embrace the future and evolution of sound and multi-dimensional realization. Understand the little known and least understood essence of life.</p>

<p>BB&amp;T “New Language” present a new concept of sonic media, offering a new, unique approach to improvised music… a counter narrative to the huge body of “sameness” that is engulfing humanity. The existential creative process, fostered by necessity, is the passion fueling this group.</p>

<p>There is a necessity to speak to the times, service mankind, unlock the shackles of mental and spiritual bondage and weigh in on the side of humanity, expressing the shift, the changing of the global script. The situation is new and particular.  WE focus on the awareness of sounds reacting to rhythm sculptured by BB&amp;T (3 formidable figures of multi-culture). This is what gives “New Language” special meaning.</p>

<p>BB&amp;T “New Language” offers a fresh concept in sonic adventure in improvisation and groove culture.</p>

<p>We are heading into a new sound cycle, resonating throughout the galaxy. Tune into the human frequency.</p>

<p>Tune into “New Language”.</p>
</div>

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      <span class="event-info age-limit">Age limit: All ages</span>
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        <span data-share-dialog-target="title">BBT New language Joe Bowie, Jean Paul Bourelly, Jamaaladeen Tacuma on Nov 12, 7:00PM</span>
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      <div class="calendar-placeholder"><div class="calendar-placeholder-icon"><span class="calendar-placeholder-month">Nov</span><span class="calendar-placeholder-day">11</span></div></div>
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        <h2 class="event-info event-title heading-tertiary"><a href="https://jamaaladeenmusic.com/event/316962/1623850/bbt-new-language-joe-bowie-jean-paul-bourelly-jamaaladeen-tacuma">BBT New language Joe Bowie, Jean Paul Bourelly, Jamaaladeen Tacuma</a></h2>

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          <span class="date-long"><span class="event-when with-time"><time class="from"><span class="date">Friday, November 11, 2011</span> @ <span class="time">7:00PM</span></time></span></span><span class="date-short"><span class="event-when with-time"><time class="from"><span class="date">Fri, Nov 11, 2011</span> @ <span class="time">7:00PM</span></time></span></span>
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          <span>Schaffhausen CH</span>
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      <div class="event-info event-notes"><p>“BBT-NEW LANGUAGE”<br>
Jean-Paul Bourelly, Joseph Bowie &amp; Jamaaladeen Tacuma</p>

<p>Throughout history music promoters, record companies &amp; agents have resisted change!!...In Dixieland Jazz... this music was called "Jack Ass" (JASS) music when it was first formulated then changed to Jazz...Dizzy &amp; Bird were under severe scrutiny in the beginning age of Bebop.... Coltrane was criticized in his latter years for evolving into spiritual concepts of music.  Miles Davis was crucified for moving in directions of rock/funk as he shaped fusion music...Ornette Coleman and Don Cherry were ridiculed in the 50s...Chuck Berry, “Scat Man” Crothers, Elvis Presley &amp; Buddy Holly were called Satanists as they shaped the beginnings of Rock &amp; Roll... on Defunkt 's debut tour in Europe in 1978, opening the Wiesen Jazz Festival, we were “boo-ed” after our festival opening performance. The visionary Austrian promoter Fritz Thom, then paid us twice to also close the festival:-)</p>

<p>Are there similarities in these situations?  Artists have creative vision beyond the promoters, agents &amp; audience. Artists are motivated by creativity and development not swayed and influenced by temporary financial gain. Over thousands of years of existence and evolution on earth, Humans have instituted controls to limit the rate and nature of musical language development. Why? Consciousness leads to awareness!  An emphasis on repetition and re-gurgitation of ‘genres/musical styles’ have effectively distorted our perception and curtailed the vast potential of our minds, bodies and souls. The manner, sound and the role that instruments play as a result have remained the same for hundreds, even thousands of years, allowing progress to be gained very slowly, maintaining maximum control, allowing full commercial exploitation thereby minimizing awareness and discovery.  Experiments with sound have been allowed to function in isolated situations, out of reach and perception range of the population, who are masterfully controlled by multi-sensory distractions such as TV, computers, mobile phones, a bombardment of advertisement, mind numbing food additives and drugs, (illegal and legal) designed to create distorted reality. This has altered perception and the understanding of life style. We have been programmed to a delusional state, deprived of self-knowledge and the innate power accessible in our genetic code.</p>

<p>We must challenge our awareness and perception through vibrations that we understand as Music! Life is in constant evolution around us.  Can we acknowledge the deep genetic voices in our sub-conscious; there to help us develop ourselves, tuning us in with life and helping us navigate a new multi-dimensional terrain? Yes! A new sonic language is imminent. Look around our planet at the popular uprisings occurring, in full swing with the "information age".  It is obvious that there is an opening underway. A “NEW (sound) LANGUAGE” is imminent! Not acoustic, not electric, not primitive, not futuristic but a merging of all these dimensions to speak to NOW. Life is a product of genetic evolution and alteration. Experiments have occurred over thousands of years, when traveling life forms in the universe merged with native life on earth.</p>

<p>This is a process of natural evolution throughout the galaxy.  We are space travelers!!  Our ship is the earth itself, traveling through the galaxy, orbiting the Sun!  Embrace the future and evolution of sound and multi-dimensional realization. Understand the little known and least understood essence of life.</p>

<p>BB&amp;T “New Language” present a new concept of sonic media, offering a new, unique approach to improvised music… a counter narrative to the huge body of “sameness” that is engulfing humanity. The existential creative process, fostered by necessity, is the passion fueling this group.</p>

<p>There is a necessity to speak to the times, service mankind, unlock the shackles of mental and spiritual bondage and weigh in on the side of humanity, expressing the shift, the changing of the global script. The situation is new and particular.  WE focus on the awareness of sounds reacting to rhythm sculptured by BB&amp;T (3 formidable figures of multi-culture). This is what gives “New Language” special meaning.</p>

<p>BB&amp;T “New Language” offers a fresh concept in sonic adventure in improvisation and groove culture.</p>

<p>We are heading into a new sound cycle, resonating throughout the galaxy. Tune into the human frequency.</p>

<p>Tune into “New Language”.</p>
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      <div class="calendar-placeholder"><div class="calendar-placeholder-icon"><span class="calendar-placeholder-month">Nov</span><span class="calendar-placeholder-day">10</span></div></div>
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        <h2 class="event-info event-title heading-tertiary"><a href="https://jamaaladeenmusic.com/event/316963/1623851/bbt-new-language-joe-bowie-jean-paul-bourelly-jamaaladeen-tacuma">BBT New language Joe Bowie, Jean Paul Bourelly, Jamaaladeen Tacuma</a></h2>

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          <span class="date-long"><span class="event-when with-time"><time class="from"><span class="date">Thursday, November 10, 2011</span> @ <span class="time">7:00PM</span></time></span></span><span class="date-short"><span class="event-when with-time"><time class="from"><span class="date">Thu, Nov 10, 2011</span> @ <span class="time">7:00PM</span></time></span></span>
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          <span>Alte Feuerwache, Brückenstr. 2 - 4, Mannheim</span>
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      <div class="event-info event-notes"><p>“BBT-NEW LANGUAGE”<br>
Jean-Paul Bourelly, Joseph Bowie &amp; Jamaaladeen Tacuma</p>

<p>Throughout history music promoters, record companies &amp; agents have resisted change!!...In Dixieland Jazz... this music was called "Jack Ass" (JASS) music when it was first formulated then changed to Jazz...Dizzy &amp; Bird were under severe scrutiny in the beginning age of Bebop.... Coltrane was criticized in his latter years for evolving into spiritual concepts of music.  Miles Davis was crucified for moving in directions of rock/funk as he shaped fusion music...Ornette Coleman and Don Cherry were ridiculed in the 50s...Chuck Berry, “Scat Man” Crothers, Elvis Presley &amp; Buddy Holly were called Satanists as they shaped the beginnings of Rock &amp; Roll... on Defunkt 's debut tour in Europe in 1978, opening the Wiesen Jazz Festival, we were “boo-ed” after our festival opening performance. The visionary Austrian promoter Fritz Thom, then paid us twice to also close the festival:-)</p>

<p>Are there similarities in these situations?  Artists have creative vision beyond the promoters, agents &amp; audience. Artists are motivated by creativity and development not swayed and influenced by temporary financial gain. Over thousands of years of existence and evolution on earth, Humans have instituted controls to limit the rate and nature of musical language development. Why? Consciousness leads to awareness!  An emphasis on repetition and re-gurgitation of ‘genres/musical styles’ have effectively distorted our perception and curtailed the vast potential of our minds, bodies and souls. The manner, sound and the role that instruments play as a result have remained the same for hundreds, even thousands of years, allowing progress to be gained very slowly, maintaining maximum control, allowing full commercial exploitation thereby minimizing awareness and discovery.  Experiments with sound have been allowed to function in isolated situations, out of reach and perception range of the population, who are masterfully controlled by multi-sensory distractions such as TV, computers, mobile phones, a bombardment of advertisement, mind numbing food additives and drugs, (illegal and legal) designed to create distorted reality. This has altered perception and the understanding of life style. We have been programmed to a delusional state, deprived of self-knowledge and the innate power accessible in our genetic code.</p>

<p>We must challenge our awareness and perception through vibrations that we understand as Music! Life is in constant evolution around us.  Can we acknowledge the deep genetic voices in our sub-conscious; there to help us develop ourselves, tuning us in with life and helping us navigate a new multi-dimensional terrain? Yes! A new sonic language is imminent. Look around our planet at the popular uprisings occurring, in full swing with the "information age".  It is obvious that there is an opening underway. A “NEW (sound) LANGUAGE” is imminent! Not acoustic, not electric, not primitive, not futuristic but a merging of all these dimensions to speak to NOW. Life is a product of genetic evolution and alteration. Experiments have occurred over thousands of years, when traveling life forms in the universe merged with native life on earth.</p>

<p>This is a process of natural evolution throughout the galaxy.  We are space travelers!!  Our ship is the earth itself, traveling through the galaxy, orbiting the Sun!  Embrace the future and evolution of sound and multi-dimensional realization. Understand the little known and least understood essence of life.</p>

<p>BB&amp;T “New Language” present a new concept of sonic media, offering a new, unique approach to improvised music… a counter narrative to the huge body of “sameness” that is engulfing humanity. The existential creative process, fostered by necessity, is the passion fueling this group.</p>

<p>There is a necessity to speak to the times, service mankind, unlock the shackles of mental and spiritual bondage and weigh in on the side of humanity, expressing the shift, the changing of the global script. The situation is new and particular.  WE focus on the awareness of sounds reacting to rhythm sculptured by BB&amp;T (3 formidable figures of multi-culture). This is what gives “New Language” special meaning.</p>

<p>BB&amp;T “New Language” offers a fresh concept in sonic adventure in improvisation and groove culture.</p>

<p>We are heading into a new sound cycle, resonating throughout the galaxy. Tune into the human frequency.</p>

<p>Tune into “New Language”.</p>
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          <span class="date-long"><span class="event-when with-time"><time class="from"><span class="date">Saturday, October 1, 2011</span> @ <span class="time">10:00PM</span></time></span></span><span class="date-short"><span class="event-when with-time"><time class="from"><span class="date">Sat, Oct 1, 2011</span> @ <span class="time">10:00PM</span></time></span></span>
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      <div class="calendar-placeholder"><div class="calendar-placeholder-icon"><span class="calendar-placeholder-month">Jul</span><span class="calendar-placeholder-day">23</span></div></div>
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        <h2 class="event-info event-title heading-tertiary"><a href="https://jamaaladeenmusic.com/event/316965/1623853/festival-jazz-des-cinq-continents">Festival jazz des cinq continents</a></h2>

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          <span class="date-long"><span class="event-when with-time"><time class="from"><span class="date">Saturday, July 23, 2011</span> @ <span class="time">8:00PM</span></time></span></span><span class="date-short"><span class="event-when with-time"><time class="from"><span class="date">Sat, Jul 23, 2011</span> @ <span class="time">8:00PM</span></time></span></span>
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          <span>Festival jazz des cinq continents, Marseilles</span>
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      <div class="event-info event-notes"><p>trio<br>
Ahmad&nbsp;Compaore<br>
Marc&nbsp;Ribot&nbsp;&amp;&nbsp;Jamaaladeen&nbsp;Tacuma<br>
<br>
The music&nbsp;of Ahmad&nbsp;Compaore&nbsp;is&nbsp;in his image,&nbsp;and eclectic&nbsp;without borders!Free&nbsp;musician, Ahmad&nbsp;complex&nbsp;mixture without&nbsp;the&nbsp;jazz, soul,&nbsp;funk&nbsp;and electro.He leads&nbsp;the experiences&nbsp;the most extreme&nbsp;experimental and&nbsp;improvised&nbsp;jazzand fusion.&nbsp;He&nbsp;now teaches&nbsp;drums and percussion&nbsp;in&nbsp;contemporary&nbsp;studio&nbsp;TheMusic Box&nbsp;at the&nbsp;Wasteland&nbsp;of the&nbsp;Belle de Mai&nbsp;in Marseille.<br>
Marc&nbsp;Ribot,&nbsp;American&nbsp;guitarist and composer, is now&nbsp;an&nbsp;inescapable&nbsp;musicianin the&nbsp;New York&nbsp;downtown&nbsp;scene.&nbsp;Its&nbsp;reputation&nbsp;has established itself&nbsp;graduallyas&nbsp;the artist&nbsp;multiplied&nbsp;crosses&nbsp;musical.&nbsp;Marc&nbsp;Ribot&nbsp;today enjoys&nbsp;a&nbsp;highrecognition from&nbsp;his peers&nbsp;and&nbsp;an&nbsp;important symbolic&nbsp;achievement.<br>
Jamaaladeen&nbsp;Tacuma&nbsp;is&nbsp;an&nbsp;American bassist&nbsp;jazz /&nbsp;funk.&nbsp;Both&nbsp;artist,&nbsp;producer, performer, arranger,&nbsp;bassist&nbsp;and&nbsp;innovator, he has performed&nbsp;with musiciansfrom all five&nbsp;continents!<br>
This&nbsp;exceptional and unique&nbsp;formation,&nbsp;is initiated by&nbsp;Ahmad&nbsp;Compaore&nbsp;for theJazz&nbsp;Festival&nbsp;of the Five&nbsp;Continents.<br>
<br>
A proposal for&nbsp;the&nbsp;Music Box.</p>
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      <div class="calendar-placeholder"><div class="calendar-placeholder-icon"><span class="calendar-placeholder-month">Jul</span><span class="calendar-placeholder-day">19</span></div></div>
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        <h2 class="event-info event-title heading-tertiary"><a href="https://jamaaladeenmusic.com/event/316966/1623854/wolfgang-puschnig-fulsome">Wolfgang Puschnig FULSOME </a></h2>

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          <span class="date-long"><span class="event-when with-time"><time class="from"><span class="date">Tuesday, July 19, 2011</span> @ <span class="time">7:00PM</span></time></span></span><span class="date-short"><span class="event-when with-time"><time class="from"><span class="date">Tue, Jul 19, 2011</span> @ <span class="time">7:00PM</span></time></span></span>
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          <span>Viktring Arkadenhof </span>
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      <div class="event-info event-notes"><p>&nbsp;Wolfgang Puschnig<br>
Born in 1956 in Klagenfurt, Carinthia, alto saxophonist Wolfgang Puschnig is one of the founding members of the Vienna Art Orchestra. His music conveys a cosmopolitan attitude and also bares his regional roots with strong stylistic influences from Germanic, Slavic and Romanic cultures, traditions, and languages. From the early 1980s onward, this trademark has made him an A-list player in the world of European jazz. In addition to the Vienna Art Orchestra, he has been collaborating regularly for many years with various formations, including Big Band de Carla Bley, the band Red Sun (which unites him with Samul Nori on Korean drums) and singer Linda Sharrock as well as violinist Mark Feldman.</p>

<p>“Is Wolfgang Puschnig Austria's biggest Jazz musician since Joe Zawinul? His new album removes any doubt.” – Profil</p>

<p><a href="http://youtu.be/bbD1VPLcgCM">http://youtu.be/bbD1VPLcgCM</a><br>
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      <div class="calendar-placeholder"><div class="calendar-placeholder-icon"><span class="calendar-placeholder-month">Jul</span><span class="calendar-placeholder-day">18</span></div></div>
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        <h2 class="event-info event-title heading-tertiary"><a href="https://jamaaladeenmusic.com/event/316967/1623855/jazz-funk-more-musik-forum">Jazz Funk &amp; More Musik Forum</a></h2>

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          <span class="date-long"><span class="event-when with-end multi-day with-time"><time class="from"><span class="date">Monday, July 18, 2011</span> @ <span class="time">10:00AM</span></time> — <time class="to"><span class="date">Friday, July 22, 2011</span> @ <span class="time">5:00PM</span></time></span></span><span class="date-short"><span class="event-when with-end multi-day with-time"><time class="from"><span class="date">Mon, Jul 18, 2011</span> @ <span class="time">10:00AM</span></time> — <time class="to"><span class="date">Fri, Jul 22, 2011</span> @ <span class="time">5:00PM</span></time></span></span>
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          <span>Klagenfurt , Klagenfurt , Carinthia</span>
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      <div class="event-info event-notes"><p>Music is to tell stories. Are the spontaneous improvisation, from the moment reflected the thoughts and moods. The desire is to engage in a musical conversation between the central idea of ensemble playing. (A. Manndorff)</p>


<p>NOTES FOR STUDENTS</p>


<p>No matter what style, whether minimal, electro, industrial, song-writing, electronic, improvisation, techno, hardcore punk - the head of Viktringer "New Dimensions in Music" can give the participants from their own extensive field experience valuable incentives.</p>


<p>In the sprawling premises of the inspirational pen is free and open to off-standing and educational interests of the student and studied interior received a challenging repertoire that is presented at the Jazz Night on 7/23/11.</p>


<p>Course Program - Course Program</p>


<p>In the morning, students work in groups of instruments with the lecturers, the afternoon will be developed in ensemble groups with different focuses.</p>


<p>In the workshops, for sound and song workshop course participants can join for a small fee. Here you can get valuable tips and tricks for performances and recordings. After consultation with the Organization and the instructors are also audio recording possible.</p>


<p>Information about the different courses on <a href="http://www.musikforum.at">www.musikforum.at</a></p>


<p>The first two days will be spent forming ensembles according to</p>


<p>levels of education and interests. In the morning the participants work in groups with different instrumental and lecturers in the afternoon ensemble groups focus on a variety of themes. We would like to invite the students to a jazz-cooperation with other courses of the Music Forum Tools 2011th</p>


<p>For detailed information check <a href="http://www.musikforum.at">www.musikforum.at</a></p>


<p>Registration still possible</p>


<p><b>Sat, 07/16/2011 to Sat 23/07/2011</b>&nbsp;</p>


<p><b>Location: Pen Viktring</b>&nbsp;</p>


<p>Michi <b>Erian,</b> saxophone (16.-23.7.)</p>


<p>Reinhardt <b>Winkler,</b> drums (17 to 23.7.)</p>


<p>Jamaaladeen <b>Tacuma,</b> bass (18.-22.7.)&nbsp;</p>


<p>Klaus <b>Paier,</b> accordion (18.-23.7.)&nbsp;</p>


<p>Ali <b>Gaggl,</b> vocals (19 to 26.7.)&nbsp;</p>

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      <div class="calendar-placeholder"><div class="calendar-placeholder-icon"><span class="calendar-placeholder-month">Jul</span><span class="calendar-placeholder-day">15</span></div></div>
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        <h2 class="event-info event-title heading-tertiary"><a href="https://jamaaladeenmusic.com/event/316968/1623856/free-form-funky-freqs">Free Form Funky Freqs</a></h2>

        <p class="event-info event-datetime">
          <i class="icon-clock"></i>
          <span class="date-long"><span class="event-when with-time"><time class="from"><span class="date">Friday, July 15, 2011</span> @ <span class="time">10:00PM</span></time></span></span><span class="date-short"><span class="event-when with-time"><time class="from"><span class="date">Fri, Jul 15, 2011</span> @ <span class="time">10:00PM</span></time></span></span>
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        <p class="event-info event-location">
          <i class="icon-location"></i>
          <span>Tritone, 1508 South St, Philadelphia, PA</span>
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      <div class="event-info event-notes"><p>&nbsp;<br>
Jamaaladeen Tacuma,Bass<br>
G.Calvin Weston,Drums<br>
Vernon Reid,Guitar</p>
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      <span class="event-info age-limit">Age limit: All ages</span>
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      <div class="calendar-placeholder"><div class="calendar-placeholder-icon"><span class="calendar-placeholder-month">Jul</span><span class="calendar-placeholder-day">10</span></div></div>
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        <h2 class="event-info event-title heading-tertiary"><a href="https://jamaaladeenmusic.com/event/316969/1623857/jamaaladeen-joins-the-last-poets">Jamaaladeen Joins The Last Poets </a></h2>

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          <span class="date-long"><span class="event-when with-time"><time class="from"><span class="date">Sunday, July 10, 2011</span> @ <span class="time">7:00PM</span></time></span></span><span class="date-short"><span class="event-when with-time"><time class="from"><span class="date">Sun, Jul 10, 2011</span> @ <span class="time">7:00PM</span></time></span></span>
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      <div class="event-info event-notes"><p>“Legendary pioneers of rap”<br>
"A word hasn’t been coined to fit what we’re talking about!” The Last Poets told Rolling Stone Magazine in 1970. Today, more than 35 years later, The Last Poets are rightfully hailed as the Godfathers of The Worldwide Hip-Hop Nation. Activist lyricists born of the US civil rights uprisings of the 1960s, The Last Poets have rightfully earnt their reputation; the hard way.<br>
At the time when James Brown was releasing his groundbreaking ‘Say It Loud, I’m Black &amp; I’m Proud’, The Last Poets produced an early arsenal of work including the classic LPs ‘The Last Poets’ (1970) that also preceded &amp; consequently inspired a slew of politically coherent but also more mainstream r&amp;b projects, such Marvin Gaye’s ‘What’s Goin’ On?’, Funkadelic’s ‘America Eats Its’ Young’, and, Curtis Mayfield’s ‘There’s No Place Like America Today’.<br>
The Last Poets have enjoyed a huge grass-roots resurgence in popularity since the early 1990s, leading to a cameo-role in John Singleton’s film ‘Poetic Justice’ alongside Janet Jackson &amp; Tupac Shakur, and then participated in the 1994 Lollapalooza tour of the US alongside Beastie Boys, Smashing Pumpkims, A Tribe Called Quest, Nick Cave and George Clinton. This was followed by the ‘Holy Terror‘ LP (1995), and a published mini-autobiography, ‘On A Mission: Selected Poems and A History of The Last Poets’ (1996), which is an affecting combination of memoir and verse, as the Last Poets tell us their own story in print for the first time.<br></p>
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      <div class="calendar-placeholder"><div class="calendar-placeholder-icon"><span class="calendar-placeholder-month">Jul</span><span class="calendar-placeholder-day">9</span></div></div>
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        <h2 class="event-info event-title heading-tertiary"><a href="https://jamaaladeenmusic.com/event/316970/1623858/jamaaladeen-joins-the-last-poets-mimi-festival">Jamaaladeen Joins The Last Poets Mimi Festival</a></h2>

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          <span class="date-long"><span class="event-when with-time"><time class="from"><span class="date">Saturday, July 9, 2011</span> @ <span class="time">7:00PM</span></time></span></span><span class="date-short"><span class="event-when with-time"><time class="from"><span class="date">Sat, Jul 9, 2011</span> @ <span class="time">7:00PM</span></time></span></span>
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          <span>Mimi Festival, Marseille </span>
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      <div class="event-info event-notes"><p>&nbsp;Ok, ready for a trip to the French Riviera? What better reason than to see Jamaaladeen rock the stage with the Legendary Last Poets<br>
For the 8th successive year, the MIMI festivalof Marseille welcomes international events organisers, brand directors, managers, turners, journalists… Every summer, it has a line-up of innovative artists from all over the world and every musical style, and has become a benchmark European event in the domain. After being the host at Saint Martin de Crau and then Arles, the MIMI festival has been held at the Caroline hospital on the Frioul Islands since 2003.</p>

<p>“Legendary pioneers of rap”<br>
"A word hasn’t been coined to fit what we’re talking about!” The Last Poets told Rolling Stone Magazine in 1970. Today, more than 35 years later, The Last Poets are rightfully hailed as the Godfathers of The Worldwide Hip-Hop Nation. Activist lyricists born of the US civil rights uprisings of the 1960s, The Last Poets have rightfully earnt their reputation; the hard way.<br>
At the time when James Brown was releasing his groundbreaking ‘Say It Loud, I’m Black &amp; I’m Proud’, The Last Poets produced an early arsenal of work including the classic LPs ‘The Last Poets’ (1970) that also preceded &amp; consequently inspired a slew of politically coherent but also more mainstream r&amp;b projects, such Marvin Gaye’s ‘What’s Goin’ On?’, Funkadelic’s ‘America Eats Its’ Young’, and, Curtis Mayfield’s ‘There’s No Place Like America Today’.<br>
The Last Poets have enjoyed a huge grass-roots resurgence in popularity since the early 1990s, leading to a cameo-role in John Singleton’s film ‘Poetic Justice’ alongside Janet Jackson &amp; Tupac Shakur, and then participated in the 1994 Lollapalooza tour of the US alongside Beastie Boys, Smashing Pumpkims, A Tribe Called Quest, Nick Cave and George Clinton. This was followed by the ‘Holy Terror‘ LP (1995), and a published mini-autobiography, ‘On A Mission: Selected Poems and A History of The Last Poets’ (1996), which is an affecting combination of memoir and verse, as the Last Poets tell us their own story in print for the first time.<br>
More recently, several contemporary artistes including Kanye West, Common, Chuck D. (Public Enemy), Jill Scott and Erykah Badu have come to pay their dues, uniting to record a beautiful tribute album to The Last Poets ‘When We Come Together’. In 2006, the group was also nominated alongside Common for a Grammy award in the category “Best Rap Performance”. After nearly 40 years in action, the old boys of The Last Poets are still competing on equal ground with contemporary commercial heavyweights.<br>
“I do my shit like The Last Poets.” Tupac Shakur<br>
“One of the fundamental building blocks of rap” David Bowie<br></p>
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      <div class="calendar-placeholder"><div class="calendar-placeholder-icon"><span class="calendar-placeholder-month">Jul</span><span class="calendar-placeholder-day">2</span></div></div>
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        <h2 class="event-info event-title heading-tertiary"><a href="https://jamaaladeenmusic.com/event/316971/1623859/hendrix-project-erika-stucky-vocal-christy-doran-guitar-jamaladeen-tacuma-el-bass-fredy">Hendrix Project : Erika Stucky (vocal), Christy Doran (guitar), Jamaladeen Tacuma (el. bass), Fredy </a></h2>

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          <span class="date-long"><span class="event-when with-time"><time class="from"><span class="date">Saturday, July 2, 2011</span> @ <span class="time">12:00AM</span></time></span></span><span class="date-short"><span class="event-when with-time"><time class="from"><span class="date">Sat, Jul 2, 2011</span> @ <span class="time">12:00AM</span></time></span></span>
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          <span>Rudolstadt Festival , Rudolstadt</span>
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      <div class="event-info event-notes"><p>&nbsp; Erika Stucky (vocal), Christy Doran (guitar), Jamaladeen Tacuma (el. bass), Fredy Studer (drums)</p>

<p>Jimi Hendrix is known as a jazz musician in the world of rock, which explains the numerous adaptations of his songs. However, only a few of them are as convincing as the music of these four artists. They manage to revive the atmosphere of Hendrix’s performance in Woodstock.</p>

<p>FRIENDS,</p>

<p>The next edition of TFF Rudolstadt – Germany’s biggest folk, roots, and world music festival – will be held from June, 30th to July, 3th 2011.</p>

<p>Specials include<br>
- the country focus on Switzerland<br>
- the magic instrument, the Harp,<br>
- and the Waltz as dance of the year.</p>

<p>Further highlights will be the German world music award RUTH, the children’s festival, a variety of lectures, workshops, and exhibitions, dozens of street musicians, the instrument maker’s stalls, and the night-long after hour party in the local youth club saalgärten.<br>
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      <div class="calendar-placeholder"><div class="calendar-placeholder-icon"><span class="calendar-placeholder-month">Jul</span><span class="calendar-placeholder-day">1</span></div></div>
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        <h2 class="event-info event-title heading-tertiary"><a href="https://jamaaladeenmusic.com/event/316972/1623860/hendrix-project-erika-stucky-vocal-christy-doran-guitar-jamaladeen-tacuma-el-bass-fredy">Hendrix Project : Erika Stucky (vocal), Christy Doran (guitar), Jamaladeen Tacuma (el. bass), Fredy </a></h2>

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          <span class="date-long"><span class="event-when with-time"><time class="from"><span class="date">Friday, July 1, 2011</span> @ <span class="time">10:00PM</span></time></span></span><span class="date-short"><span class="event-when with-time"><time class="from"><span class="date">Fri, Jul 1, 2011</span> @ <span class="time">10:00PM</span></time></span></span>
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          <span>Maribor Lent Festival  Slovenia, Maribor</span>
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      <div class="event-info event-notes"><p>&nbsp;Erika Stucky (vocal), Christy Doran (guitar), Jamaladeen Tacuma (el. bass), Fredy Studer (drums)</p>

<p>Jimi Hendrix is known as a jazz musician in the world of rock, which explains the numerous adaptations of his songs. However, only a few of them are as convincing as the music of these four artists. They manage to revive the atmosphere of Hendrix’s performance in Woodstock.</p>

<p>Entrance with full festival ticket or one-day ticket.</p>

<p><a href="http://www.erikastucky.ch">www.erikastucky.ch</a><br>
<a href="http://www.christydoran.ch">www.christydoran.ch</a><br>
<a href="http://www.fredystuder.ch">www.fredystuder.ch</a></p>

<p>&nbsp;JAZZLENT / CONCERT, Festival Lent is one of the Most renowned Trademarks of Maribor. By the banks of the Drava River and Elsewhere and the city center, a genre-Colourful palette of harmonic But Different Takes place performances - opera and ballet, theater and dance, jazz, classical and world music concerts, street and Chanson Singers, concerts of Ethno music, folklore evenings, street theater festival, performances and Activities for Children and Sport Challenges - More Than 1,500 alltogether events on More Than 30 Stages and 16 days. There is no Way to imagine a summer atmosphere and Maribor Without this festival anymore.</p>
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      <div class="calendar-placeholder"><div class="calendar-placeholder-icon"><span class="calendar-placeholder-month">Jun</span><span class="calendar-placeholder-day">29</span></div></div>
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        <h2 class="event-info event-title heading-tertiary"><a href="https://jamaaladeenmusic.com/event/316973/1623861/zwei-jamaaladeen-tacuma-uwe-kropinski">Zwei Jamaaladeen Tacuma &amp; Uwe Kropinski</a></h2>

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          <span class="date-long"><span class="event-when with-time"><time class="from"><span class="date">Wednesday, June 29, 2011</span> @ <span class="time">10:00PM</span></time></span></span><span class="date-short"><span class="event-when with-time"><time class="from"><span class="date">Wed, Jun 29, 2011</span> @ <span class="time">10:00PM</span></time></span></span>
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          <span>Maribor Lent Festival  Slovenia, Maribor</span>
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      <div class="event-info event-notes"><p>&nbsp;29 JUN / 22:00 / JAZZLENT / CONCERT, Festival Lent is one of the Most renowned Trademarks of Maribor. By the banks of the Drava River and Elsewhere and the city center, a genre-Colourful palette of harmonic But Different Takes place performances - opera and ballet, theater and dance, jazz, classical and world music concerts, street and Chanson Singers, concerts of Ethno music, folklore evenings, street theater festival, performances and Activities for Children and Sport Challenges - More Than 1,500 alltogether events on More Than 30 Stages and 16 days. There is no Way to imagine a summer atmosphere and Maribor Without this festival anymore.</p>

<p>Lent festival is Maribor's crown jewel,. 3200 artists from 32 countries have contributed 400 performances on more than 30 stages and seen by more than half a million visitors. No wonder then Lent festival is officially recognized as one of the top 50 local festivities in the whole of Europe <br>
Zwei is Jamaaladeen's Duo with guitarist Uwe Kropinski of Berlin, Germany, check band details page for more info. There will also be a special "Jam" session featuring Jamaaladeen during the Festival.&nbsp;</p>
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      <div class="calendar-placeholder"><div class="calendar-placeholder-icon"><span class="calendar-placeholder-month">May</span><span class="calendar-placeholder-day">4</span></div></div>
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        <h2 class="event-info event-title heading-tertiary"><a href="https://jamaaladeenmusic.com/event/316974/1623862/free-form-funk-freqs">FREE FORM FUNK FREQS</a></h2>

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          <span class="date-long"><span class="event-when with-time"><time class="from"><span class="date">Wednesday, May 4, 2011</span> @ <span class="time">9:00PM</span></time></span></span><span class="date-short"><span class="event-when with-time"><time class="from"><span class="date">Wed, May 4, 2011</span> @ <span class="time">9:00PM</span></time></span></span>
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          <span>Regien, Vienna </span>
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      <div class="event-info event-notes"><p>&nbsp;05/03 MUNICH(D)-Bayerischer Hof
<br>/05/04 VIENNA(A)-Reigen
<br>05/05 HANNOVER(D)-JazzClub
<br>05/06 BERLIN(D)-Quasimodo
<br>05/07 PRAGUE(CZ)-Jazz Time
<br>05/08 MÜNSTER(D)-Hot Jazz Club
<br>Check the video page for a clip</p>
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      <div class="calendar-placeholder"><div class="calendar-placeholder-icon"><span class="calendar-placeholder-month">Jan</span><span class="calendar-placeholder-day">14</span></div></div>
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        <h2 class="event-info event-title heading-tertiary"><a href="https://jamaaladeenmusic.com/event/316975/1623863/young-philadelphians">Young Philadelphians</a></h2>

        <p class="event-info event-datetime">
          <i class="icon-clock"></i>
          <span class="date-long"><span class="event-when with-time"><time class="from"><span class="date">Friday, January 14, 2011</span> @ <span class="time">7:00PM</span></time></span></span><span class="date-short"><span class="event-when with-time"><time class="from"><span class="date">Fri, Jan 14, 2011</span> @ <span class="time">7:00PM</span></time></span></span>
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          <span>LePoisson, New York City, NY</span>
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      <div class="event-info event-notes"><p>Young Philadelphians   where deco meets disco meets decon   Jamaladeen Tacuma, G. Calvin Weston, Bern Nix, Anthony Coleman, Marc Ribot:  5 professional, harmolodic noise improvisers with an uncommon love of Philly soul and hard groove. Forever young, forever Philadelphian, forever fixated on the moment before dance went digital. Stuck in the groove like a scratch in your favorite record. Ladies and Gentlemen…the hardest working men in punk/funk/soul/noise: The Young Philadelphians!!!   The Young Philadelphians pays tribute to twin legacies: The mind-blowing harmolodic punk-funk of Ornette Coleman's first Prime Time band and the sweet, optimistic pulse of 1970s Philly Soul. Ribot enlists bassist Jamaaladeen Tacuma and drummer G. Calvin Weston, both Prime Time alumni and Philadelphia natives, adding guitarist Bern Nix also of Prime Time and keyboardist Anthony Coleman to do the job. And the name? "Ever see that movie with Paul Newman?" Ribot asks. "It's about these rich young lawyers from Philly. We had a good laugh about that. You should hear our version of 'Fly Robin Fly.'" &nbsp; <br>
&nbsp;</p>

<p>FROM CITY PAPER 2004</p>

<p>Marc Ribot and the Young Philadelphians  jazz  Before he strays to June's Bonnaroo with his Latin ensemble Los Cubanos Postizos, guitarist Marc Ribot will stay closer to home -- playing with old friend and jam-mate Jamaaladeen Tacuma's Young Philadelphians. Ribot's a Jersey boy, born in Newark and raised in countless garage acts up there before moving to Manhattan in the late '70s where he backed other sons of Philly (Solomon Burke, Jack McDuff) during their gigs. That was before Ribot became the fretboard's icon of skronk, the scuffed and scratched guitar sound that's equal doses Robert Quine-like blasts of atonality, the no-wave jerkiness of Contortions' Pat Place and Jody Harris and the funky hump of blues-and-country-style picking indigenous to Southern juke joints. That's skronk. And that's what Ribot mastered while playing with John Zorn, Don Byron, Elvis Costello, the Lounge Lizards and, most famously, Tom Waits on that trilogy of tone-terror, Frank's Wild Years, Rain Dogs and Big Time. Ribot brought that same skittering six-string madness to his own funk-filled ensembles Shrek, Cubanos and Rootless Cosmopolitans for a brand of roughshod soul and crispy-fried jazz licks that surely will come into play while jamming with algebraic bassist Tacuma and skin-slamming drummer Calvin Weston. Prepare to be amazed. —A.D. Amorosi</p>

<p>Beacon Pass Review<br>
Why Go?</p>

<p>Legendary guitarist Marc Ribot explores his funkier side, joined by an all-star cast and an intriguing mission statement: to blend “the mind-blowing harmolodic punk-funk of Ornette Coleman's first Prime Time Band and the sweet, optimistic pulse of 1970s Philly Soul.” For those unacquainted with Ribot, his résumé includes being the go-to guitarist for Tom Waits, Elvis Costello and Madeline Peyroux. He's one of the most innovative and important players on the NYC downtown scene. Young Philadelphians features three veterans of the Prime Time Band — including original member Jamaaladeen Tacuma, whose fierce improvisations on the electric bass simply have to be seen to be believed. Part of Ribot's January residency at Le Poison Rouge (with a different lineup every time), this night is not to be missed.  — Sean Hutchinson</p>
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